Treachery Antihero Inferno Book 1

Ninth Circle. Treachery. Also known as Tanner Caine.He is a temptation with cold, dark eyes. A man with a seductive smirk and a body built for pure sin. The linchpin of a group of wealthy bad boys known as the Inferno.A dark presence that repels as much as he attracts, Tanner is the poisoned apple I want to bite even when I know it will destroy me.Our story started in college, but I ran from him so far I believed I was safe. I should have known he'd find me eventually. I should have known that nobody escapes. He has me in his sights again with an offer I can't pass up.I know better than to make a deal with the Devil. Not unless I'm willing to pay his sensual price... ***Book One now INCLUDES the Prequel previously published.******Each novel in the series depicts a unique romance, but the plots through each book connect in one world. For the best experience, read the series in order. Nine Standalone novels. Nine dangerous men. Nine unrepentant sinners you'll hate to love.

Eighth Circle. Fraud. Also known as Gabriel Dane. He is a ray of sunshine that warms your heart with kind eyes and a dazzling smile. Don't let him fool you with that silver tongue or lure you in with a body that draws every woman's eye. This man is fluent in deception and a devil who only offers pretty lies. Gabriel is my old nemesis. I'm the girl that always fought back. He has every reason to hate me as much as I hate him. Now that he found me, he's determined to make me pay for our past. Except, there are two small details Gabriel doesn't know that will be his ultimate downfall: There are no rules when it comes to our war. And I've learned to lie just as good as him. ***Each novel in the series depicts a unique romance, but the plots through each book connect in one world. For the best experience, read the series in order.Nine dangerous men. Nine unrepentant sinners. Nine irresistible manipulators.

Seventh Circle. Violence. Also Known As Ezra Cross He's one of a pair. Identical twin to Damon. And an enforcer for the Inferno if one is ever needed. I knew better than to get involved with him. With his aggression. With the constant fights. With the games the twins were known to play with every woman stupid enough to fall for them. We made a mistake when we met again as adults. I fell in love. He fell in love. His brother fell in love, too. What used to be a good time is now a tragedy. Our story is messy. It's cruel. It's forbidden. Despite all that, Ezra refuses to let go. *** Each novel in the series depicts a unique romance, but the plots through each book connect in one world. For the best experience, read the series in order. Nine Ruthless Men. Nine Unrepentant Sinners. Nine Irresistible Manipulators.

Modern editions of a popular and trusted series.

An account of the story of the New Testament's arch-villain and his history over the past 2000 years in which Gubar links Christian anti-Semitism with Christianity's attempt to grapple with transcendent evil.

Examines the change in memory regime in postwar France, from one centered on the concentration camps to one centered on the Holocaust.

In an isolated fortress, the Master of Crows battles an ancient god for possession of his soul. Renegade and heretic, he dreams of ways to defeat the god and destroy the priesthood who would execute him. Sent by her masters to betray him, a woman comes who possesses a weapon he can use to triumph over both...but only at the ultimate sacrifice. A tale of love and allegiance. --------------- This fantasy romance was previously published with a different cover in 2009 by Amber Quill Press. This is the second edition.

They were the boys any good girl knew to avoid.Rich and privileged. Gorgeous and cruel.The poster boys for rebellion...their tongues so sharp they cut to the bone.We worshipped them despite their dangerous games.We laughed even as we cried.It was all fun and games until the first dirty girl died.Now, as the bodies pile up, I believe I can endure their wicked ways. Only time will tell if I'll escape.Because when wealthy boys are accustomed to getting everything they want, not even the lives of those around them are too high an asking price.

This is not your average love story...Every man who meets Rainey wants her. Having lived a life of sex, drugs and manipulation, she is a temptation with far too many secrets.When psychologist, Justin Redding, is assigned to Rainey's case, he has no way of knowing the tale of debauchery he will encounter.On a twisted path of love, loss and murder, Rainey leads Justin through the events of her life.Death follows Rainey...Justin fights to discover her secrets...But will he discover the secret of THE FIVE in time to resist Rainey's ultimate seduction?

This is a love story.It's brutal.Heart-wrenching.Dirty, terrifying, and raw.But a love story nonetheless because it is so beautiful.Ensley: Noah Carter was the type of guy that every girl wanted.Gorgeous. Talented. Smart and kind.He was the world that revolved around me even though I didn't deserve him.But then something went wrong.He snapped maybe, just lost his mind.I found him the night my family died, their blood staining his hands.I put him in prison. I got my revenge.But then years later he found me again......and stole me away from my life.Noah: You couldn't know Ensley without wanting to strangle her.She was beautiful, she was wild, she was the girl next door.I grew up with her by my side.I watched her destroy herself while I held on.I protected her when she had been blind to the danger that surrounded her.I let her go once only to find her again.She would see me this time no matter what.DISCLAIMER: This book deals with sensitive subject matter that may be difficult for some readers.

In Armstrong, the first volume in the Custer of the West series, George Armstrong Custer survived the battle at the Little Big Horn, assumed a new identity (Marshal Armstrong Armstrong) and with the help of a multilingual Indian scout, cancan dancers, Chinese acrobats, a savage dog, and a Southern cardsharp, saved the town of Bloody Gulch, Montana, from the oppression of a corrupt Indian trader. Now Armstrong is back, in Armstrong Rides Again! making common cause with the writer (and former Union officer) Ambrose Bierce, and serving as a soldier of fortune in the strife-torn Latin American island of Neustraguano, where romance, intrigue, a rumbling volcano, revolutionaries, smugglers, treasure, and a civil war all combine for a rip-roaring sequel.

Words are funny things. Their meaning, the pictures they paint in the minds of those that hear them. They're not always the same and to me at least, that makes them meaningless. Take for instance the phrase 'black widow'. Those words conjure the image of a spider. However, instead of speaking of an arachnid, the people who whisper them are talking about something much different. They're talking about me. From what I'm told, no man I've ever loved has survived. Yet, I have no memory of any of it. My new home leads me to the definition of another vague and meaningless word. But the definition for the word is wrong. Especially when you're made silent by drugs and pretty white jackets. My name is Alexandra Sutton and this is the story of what happened when I was imprisoned inside an Asylum. *****Disclaimer: Asylum is a dark novel that contains sensitive subject matter not appropriate for readers below the age of 18 years of age. Asylum also contains explicit descriptions of violence. Asylum is a full length novel at 90K + words and is not part of a series.

When I was nineteen years old, I lived for sex, drugs and a good party. I had it all - good looks, a fast car and a hot girlfriend. Nothing in life was more important. That was, until I met Ellison James.... Since the moment I first saw her she was a raging bull; tackling me in the mud and throwing out insults as fast as her tongue could form the sound. She was snarky She was rude And she pissed me off like no other woman could. I lived beside her for a summer and in the three months that I walked by her side... She opened my eyes She changed my life And she made me a better man ***Disclaimer - this book is intended for mature audiences only. This book is also an emotional journey. Tissues are optional, but not required.

In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.

#1 NATIONAL BESTSELLER #1 INTERNATIONAL BESTSELLER What does everyone in the modern world need to know? Renowned psychologist Jordan B. Peterson's answer to this most difficult of questions uniquely combines the hard-won truths of ancient tradition with the stunning revelations of cutting-edge scientific research. Humorous, surprising and informative, Dr. Peterson tells us why skateboarding boys and girls must be left alone, what terrible fate awaits those who criticize too easily, and why you should always pet a cat when you meet one on the street. What does the nervous system of the lowly lobster have to tell us about standing up straight (with our shoulders back) and about success in life? Why did ancient Egyptians worship the capacity to pay careful attention as the highest of gods? What dreadful paths do people tread when they become resentful, arrogant and vengeful? Dr. Peterson journeys broadly, discussing discipline, freedom, adventure and responsibility, distilling the world's wisdom into 12 practical and profound rules for life. 12 Rules for Life shatters the modern commonplaces of science, faith and human nature, while transforming and ennobling the mind and spirit of its readers.

Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.

Be brave. Just for sixty seconds. Twenty breaths. It took every ounce of my courage to return to the small town I fled all those years ago. But I should’ve known he’d hate me. How could he not when my father’s blood still runs through my veins? Yet here I am, desperate for a chance to make things right. Even if it means facing the family my father almost destroyed and the boy with the dark eyes—now grown—who still haunts my dreams. I never expected just how explosive things would turn between us. He’s the last person I should want. Yet, somehow, I keep drawing closer—so close I know I’ll end up burned. But Hayes is a good man, a noble one. Someone who channeled his pain into a career spent protecting those around him. So, when the threats begin, he steps in to keep me safe. And we discover that maybe neither of us knew the other at all. As the sparks between us ignite into something deeper, someone watches. And they’ll do anything to tear it all apart…

Follow the River is a full-length, mature, new adult bully/enemies-to-lovers MM (male/male) romance with dark themes. There will be triggering content for some readers. Specific triggers WILL NOT be listed at the beginning of the book as they will be spoilers, so please be advised that if you have triggers, any at all, this book might not be for you.I've never been one to back down from a challenge. Rather than shy away, I grit my teeth and use it as an opportunity to prove myself.Not just in football, but also in life.Even when I was thrown through a loop in discovering I was bisexual, I embraced it.Owning it so no one can use it as ammunition against me.But when Ciaráin Grady comes barreling into my life with his venomous tongue and amber eyes brimming with disdain, I realize every test of my character and strength could never have prepared me for the trial he holds.One that toes the line of love and hate.It's all-consuming and toxic.Yet under the layers of revulsion he masks his face with, I see it.A glimmer of lust from deep within his secretive, broken soul.And when we're thrown together under heinous circumstances, the distinction between enemy and lover begins to blur.So...what is Ciaráin Grady to me?I'm only certain that he is the greatest challenge of my life.

Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today. Jameson supports his thesis by looking closely at the nature of interpretation. Our understanding, he says, is colored by the concepts and categories that we inherit from our culture's interpretive tradition and that we use to comprehend what we read. How then can the literature of other ages be understood by readers from a present that is culturally so different from the past? Marxism lies at the foundation of Jameson's answer, because it conceives of history as a single collective narrative that links past and present; Marxist literary criticism reveals the unity of that uninterrupted narrative. Jameson applies his interpretive theory to nineteenth- and twentieth-century texts, including the works of Balzac, Gissing, and Conrad. Throughout, he considers other interpretive approaches to the works he discusses, assessing the importance and limitations of methods as different as Lacanian psychoanalysis, semiotics, dialectical analysis, and allegorical readings. The book as a whole raises directly issues that have been only implicit in Jameson's earlier work, namely the relationship between dialectics and structuralism, and the tension between the German and the French aesthetic traditions.