The Labyrinth Of Dreaming Books

Zamonia’s greatest writer investigates a mystery in a shadowy book metropolis in this epic adventure by the author of The Alchemaster’s Apprentice. It has been more than two hundred years since Bookholm was destroyed by a devastating fire, as told in Moers’s The City of Dreaming Books. Hildegunst von Mythenmetz, hailed as Zamonia’s greatest writer, is on vacation in Lindworm Castle when a disturbing message reaches him, and he must return to Bookholm to investigate a mystery. The magnificently rebuilt city has once again become a metropolis of storytelling and the book trade. Mythenmetz encounters old friends and new denizens of the city—and the shadowy “Invisible Theater.” Astonishingly inventive, amusing, and engrossing, this is a captivating story from the wild imagination of Walter Moers. Praise for The Labyrinth of Dreaming Books “What matters are his engaging descriptions, zany scenarios and the weird critters that inhabit Zamonia, some of whom bear an uncanny resemblance to Barney the dinosaur . . . A beguiling, bookish entertainment that ends on a cliffhanger promising—well, the prospect of many sequels to come.” —Kirkus Reviews “Moers's Munchhausen-esque yarn is enhanced by his equally wild illustrations. . . . Fans will enjoy journeying through Optimus's battle with darkness.” —Publishers Weekly

In this whimsical fantasy adventure, a novelist’s search for an author takes him to a magical city, a villainous literary scholar, and perilous catacombs. Optimus Yarnspinner’s search for an author’s identity takes him to Bookholm―the so-called City of Dreaming Books. On entering its streets, our hero feels as if he has opened the door of a gigantic second-hand bookshop. His nostrils are assailed by clouds of book dust, the stimulating scent of ancient leather, and the tang of printer’s ink. Soon, though, Yarnspinner falls into the clutches of the city’s evil genius, Pfistomel Smyke, who treacherously maroons him in the labyrinthine catacombs underneath the city, where reading books can be genuinely dangerous . . . In The City of Dreaming Books, Walter Moers transports us to a magical world where reading is a remarkable adventure. Only those intrepid souls who are prepared to join Yarnspinner on his perilous journey should read this book. We wish the rest of you a long, safe, unutterably dull, and boring life! Praise for The City of Dreaming Books “German author and cartoonist Moers returns to the mythical lost continent of Zamonia in his uproarious third fantasy adventure to be translated into English, a delightfully imaginative mélange of Shel Silverstein zaniness and oddball anthropomorphism à la Terry Pratchett’s Discworld. . . . A wonderfully whimsical story that will appeal to readers of all ages.” —Publishers Weekly “A salmagundi of whimsy, imagination and book lore—remarkable fun.” —Cleveland Plain Dealer “Moers puts Tolkien through some sort of Willy Wonka sweetening process and comes up with characters such as Optimus Yarnspinner, who, names being fate and all, just has to be a storyteller.” —Kirkus Reviews

Optimus Yarnspinner travels to Bookholm on a quest to find the anonymous author of a manuscript that he inherited from his godfather, and during his journey he encounters many strange inhabitants of the so-called City of Dreaming Books.

Walter Moers transports us to a magical world where reading is still a genuine adventure, where books can not only entertain people and make them laugh, but drive them insane or even kill them.

Using twenty-one drawings from the work of Gustave Dor-, the most successful illustrator of the 19th century, Walter Moers has created a wondrous and utterly delightful tale. In a world between legend and dream, in a time between childhood and adulthood, A Wild Ride Through the Night describes the exhilarating and comic adventures of 12-year-old Gustave, a boy who aspires one day to be a great artist. But before he can achieve this, Gustave must first tackle Mysterious Giants and a Siamese Twins Tornado; he also finds himself encountering the Greatest Monster of All, freeing a maiden from the claws of a dragon, riding through a forest full of ghosts, navigating a Galactic Gully and meeting a dream princess, a talking horse, scantily-clad Amazons and even his own self. Having made a wager with death for nothing less than his life and his soul, he must travel from the earth to the moon and back in a single night.

It has been more than two hundred years since Bookholm was destroyed by a devastating fire, as told in Moers's The City of Dreaming Books.

The second cycle of the internationally bestselling Skulduggery Pleasant series comes to a thrilling end. You are not ready...

A delightfully illustrated cult novel, literary satire and epic adventure. 'Within the first 15 pages I was carried away by the sheer craziness of it all. Some Minipirates find a baby bear with blue fur inside a walnut shell floating on the ocean towards a giant whirlpool. They rescue him and teach him about knots and waves, and that a good white lie is often considerably more exciting than the truth. Then, when he outgrows their ship to such an extent that he is in danger of sinking it, they abandon him on an island with a bottle of seaweed juice and a loaf of seaweed bread. Thus Bluebear comes to the end of his first life and embarks on his second. By the end of the book, he has expended exactly half of his 27 lives. Again and again, Moers confounds our expectations as the narrative twists and turns, travels backwards and forwards in time. Part science fiction, part fairy tale, part myth, part epic, the book is a satire on all these genres and so constantly satirises itself. Very amusing' - Daily Telegraph

Looking at myths and folktales from around the world, Jeremy Taylor reveals parallels between these ancient sacred stories and the dreams of contemporary people, showing how the universal archetypal symbols continue to shape our lives.

Optimus Yarnspinner, A Young Zamonian Writer, Inherits Very Little From His Beloved Godfather Apart From An Unpublished Short Story By An Unknown Author. This Manuscript Proves To Be Such A Superb Piece Of Writing That He Can T Resist The Temptation To Investigate The Mystery Surrounding The Author S Identity. The Trail Takes Him To Bookholm, The So-Called City Of Dreaming Books. On Entering Its Streets, Our Hero Feels As If He Has Opened The Door Of A Gigantic Second-Hand Bookshop Containing Millions Of Musty Old Volumes. His Nostrils Are Assailed By Clouds Of Book Dust, By A Hint Of Acidity Reminiscent Of Lemon Trees In Flower, The Stimulating Scent Of Ancient Leather, And The Acrid, Intelligent Tang Of Printer S Ink.Yarnspinner Not Only Falls Under The Spell Of This Book-Obsessed City; He Falls Into The Clutches Of Its Evil Genius, Pfistomel Smyke, Who Treacherously Maroons Him In The Labyrinthine Catacombs That Extend For Many Miles Beneath The Surface. He Finds Himself In A Subterranean World Where Reading Books Can Be Genuinely Dangerous, Where Ruthless Bookhunters Fight To The Death For Literary Gems And The Mysterious Shadow King Rules A Murky Realm Populated By Booklings, One-Eyed Beings Whose Vast Library Includes Live Books Equipped With Teeth And Claws.Walter Moers Transports Us To A Magical World Where Reading Is Still A Genuine Adventure, Where Books Can Not Only Entertain People And Make Them Laugh But Drive Them Insane Or Even Kill Them. Only Those Intrepid Souls Who Are Prepared To Join Optimus Yarnspinner On His Perilous Journey Should Read This Book. We Wish The Rest Of You A Long, Safe, Unutterably Dull And Boring Life!

Optimus Yarnspinner inherits a manuscript by an unknown writer. To track down the author, he goes to Bookholm, the City of Dreaming Books, where book-related attractions abound.

Forty short stories and essays have been selected as representative of the Argentine writer's metaphysical narratives.

When magic and superpowers emerge in the masses, Wendy Deere is contracted by the government to bag and snag supervillains in Hugo Award-winning author Charles Stross' Dead Lies Dreaming: A Laundry Files Novel. As Wendy hunts down Imp—the cyberpunk head of a band calling themselves “The Lost Boys”— she is dragged into the schemes of louche billionaire Rupert de Montfort Bigge. Rupert has discovered that the sole surviving copy of the long-lost concordance to the one true Necronomicon is up for underground auction in London. He hires Imp’s sister, Eve, to procure it by any means necessary, and in the process, he encounters Wendy Deere. In a tale of corruption, assassination, thievery, and magic, Wendy Deere must navigate rotting mansions that lead to distant pasts, evil tycoons, corrupt government officials, lethal curses, and her own moral qualms in order to make it out of this chase alive. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Kafka on the Shore displays one of the world’s great storytellers at the peak of his powers. Here we meet a teenage boy, Kafka Tamura, who is on the run, and Nakata, an aging simpleton who is drawn to Kafka for reasons that he cannot fathom. As their paths converge, acclaimed author Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of their bodies to make love or commit murder, in what is a truly remarkable journey.

In writing Le Livre de Promethea Häl_ne Cixous set for herself the task of bridging the immeasurable distance between love and language. She describes a love between twoøwomen in its totality, experienced as both a physical presence and a sense of infinity. The result is a stunning example of Pecriture feminine that won kudos when published in France in 1983. Its translation into English by Betsy Wing will extend the influence of a writer already famous for her novels and contributions to feminist theory. In her introduction Betsy Wing notes the contemporary emphasis on "fictions of presence." Cixous, in The Book of Promethea, works to "repair the separation between fiction and presence, trying to chronicle a very-present love without destroying it in the writing."

The first novel in Hugo Award-winning author Charles Stross's witty Laundry Files series. Bob Howard is a low-level techie working for a super-secret government agency. While his colleagues are out saving the world, Bob's under a desk restoring lost data. His world was dull and safe - but then he went and got Noticed. Now, Bob is up to his neck in spycraft, parallel universes, dimension-hopping terrorists, monstrous elder gods and the end of the world. Only one thing is certain: it will take more than a full system reboot to sort this mess out . . .

“A bizarre yet effective yoking of the spy and horror genres.” —The Washington Post Book World The Lovecraftian Singularity has descended upon the world in The Labyrinth Index, beginning an exciting new story arc in Charles Stross' Hugo Award-winning Laundry Files series! Since she was promoted to the head of the Lords Select Committee on Sanguinary Affairs, every workday for Mhari Murphy has been a nightmare. It doesn’t help that her boss, the new Prime Minister of Britain, is a manipulative and deceptive pain in the butt. But what else can she expect when working under the thumb of none other than the elder god N’yar Lat-Hotep a.k.a the Creeping Chaos? Mhari's most recent assignment takes her and a ragtag team of former Laundry agents across the pond into the depths of North America. The United States president has gone missing. Not that Americans are alarmed. For some mysterious reason, most of the country has forgotten the executive branch even exists. Perhaps it has to do with the Nazgûl currently occupying the government and attempting to summon Cthulhu. It's now up to Mhari and her team to race against the Nazgûl's vampire-manned dragnet to find and, for his own protection, kidnap the president. Who knew an egomaniacal, malevolent deity would have a soft spot for international relations? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A cat-like creature foils the plans of an evil alchemist in this comic fantasy by the author of The City of Dreaming Books. Malaisea, the unhealthiest town in the whole of Zamonia, is home to Echo the Crat, a multitalented creature resembling a cat in appearance but capable of speaking any language under the sun, human or animal. When his mistress dies, Echo finds himself out on the street. Dying of starvation, he is compelled to sign a contract with Ghoolion the Alchemaster, Malaisea’s evil alchemist-in-chief. This fateful document gives Ghoolion the right to kill Echo at the next full moon and render him down for his fat, with which he hopes to brew an alchemical concoction that will make him immortal. In return, he promises to regale the little Crat with the most exquisite gastronomic delicacies until his time is up. But Ghoolion has reckoned without Echo’s talent for survival and his ability to make new friends. Walter Moers’s magnificent translation of Optimus Yarnspinner’s novel introduces us to yet another of Zamonia’s hotbeds of adventure: Malaisea, a place where sick is healthy, up is down, right is wrong, and Ghoolion the Alchemaster reigns supreme—until Echo crosses his path. Praise for The Alchemaster’s Apprentice “Cheerfully insane. . . . Remains lively and inventive right through the final heroic battle between good and evil.” —New York Times Book Review “Moers’s creative mind is like J. K. Rowling’s on ecstasy; his book reads like a collision between The Hitchhiker's Guide to the Galaxy and the Brothers Grimm. . . . What a delightful book.” —Detroit News and Free Press “Relentlessly whimsical.” —Library Journal “Cross The Lord of the Rings with Yellow Submarine, throw in dashes of Monty Python, Douglas Adams, Shrek, and The Princess Bride . . . That’s the sort of alchemy in which this sprawling novel trades.” —Kirkus Reviews

A thrilling race against the clock to save the world from fantasy creatures from a cult 80s film. Perfect for fans of Henson Company puppet classics such as Labyrinth, Dark Crystal and The Never-Ending Story. Jack Corman is failing at life. Jobless, jaded and on the “wrong” side of thirty, he’s facing the threat of eviction from his London flat while reeling from the sudden death of his father, one-time film director Bob Corman. Back in the eighties, Bob poured his heart and soul into the creation of his 1986 puppet fantasy The Shadow Glass, a film Jack loved as a child, idolising its fox-like hero Dune. But The Shadow Glass flopped on release, deemed too scary for kids and too weird for adults, and Bob became a laughing stock, losing himself to booze and self-pity. Now, the film represents everything Jack hated about his father, and he lives with the fear that he’ll end up a failure just like him. In the wake of Bob’s death, Jack returns to his decaying home, a place creaking with movie memorabilia and painful memories. Then, during a freak thunderstorm, the puppets in the attic start talking. Tipped into a desperate real-world quest to save London from the more nefarious of his father’s creations, Jack teams up with excitable fanboy Toby and spiky studio executive Amelia to navigate the labyrinth of his father’s legacy while conjuring the hero within––and igniting a Shadow Glass resurgence that could, finally, do his father proud.

In transposing the Freudian dream work from the individual subject to the collective, Walter Benjamin projected a “macroscosmic journey” of the individual sleeper to “the dreaming collective, which, through the arcades, communes with its own insides.” Benjamin’s effort to transpose the dream phenomenon to the history of a collective remained fragmentary, though it underlies the principle of retrograde temporality, which, it is argued, is central to his idea of history. The “passages” are not just the Paris arcades: They refer also to Benjamin’s effort to negotiate the labyrinth of his work and thought. Gelley works through many of Benjamin’s later works and examines important critical questions: the interplay of aesthetics and politics, the genre of The Arcades Project, citation, language, messianism, aura, and the motifs of memory, the crowd, and awakening. For Benjamin, memory is not only antiquarian; it functions as a solicitation, a call to a collectivity to come. Gelley reads this call in the motif of awakening, which conveys a qualified but crucial performative intention of Benjamin’s undertaking.