Not A Good Neighbor

It's late. You're tired. After a long day, you just want to be home in time for dinner. As you enter an intersection, a truck barrels through a stop sign, smashing into your passenger side. Within seconds, every plan is changed, every project delayed, and every concern you had before this moment overshadowed by an uncertain future. Following hours in the hospital and a wrecked car awaiting insurance-approved repairs, you're stuck. You're mad. And you're starting to think that you'll never recover-in more ways than one. In Not a Good Neighbor, injury lawyer Brian LaBovick shows you how to navigate the paperwork and pitfalls of an automobile accident case. Brian shares stories from nearly three decades in practice to help you maximize benefits in this often complicated process. Learn the ins and outs of auto accident insurance and ways to increase your settlement with the strategies you need to attain the money you deserve. In today's world, insurance alone cannot protect you. Learn how to protect yourself and fight for fairness so you're never a victim again.

“A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “Sarah Langan is a phenomenal talent with a wicked sense of wry humor. Good Neighbors knocked me out. Like Shirley Jackson, Langan’s work blends a bleak streak with an underlying sense of the humane that wrung my heart.” —Victor LaValle, author of The Changeling Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

INSTANT NEW YORK TIMES BESTSELLER * One of NPR's Best Books of 2020 "A provocative, absorbing read." — People “A feast of a read... I finished A Good Neighborhood in a single sitting. Yes, it’s that good.” —Jodi Picoult, #1 New York Times bestselling author of Small Great Things and A Spark of Light In Oak Knoll, a verdant, tight-knit North Carolina neighborhood, professor of forestry and ecology Valerie Alston-Holt is raising her bright and talented biracial son, Xavier, who’s headed to college in the fall. All is well until the Whitmans—a family with new money and a secretly troubled teenage daughter—raze the house and trees next door to build themselves a showplace. With little in common except a property line, these two families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers. A Good Neighborhood asks big questions about life in America today—what does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye?—as it explores the effects of class, race, and heartrending love in a story that’s as provocative as it is powerful.

The New York Times bestseller: “A superb, thoughtful biography” of the creator and star of Mister Rogers’ Neighborhood (David McCullough). Fred Rogers was an enormously influential figure in the history of television and in the lives of tens of millions of children. Through his long-running television program, he was a champion of compassion, equality, and kindness. Rogers was fiercely devoted to children and to taking their fears, concerns, and questions about the world seriously. The Good Neighbor, the first full-length biography of Fred Rogers, tells the story of this utterly unique and enduring American icon. Drawing on original interviews, oral histories, and archival documents, Maxwell King traces Rogers’s personal, professional, and artistic life through decades of work. King explores Rogers’s surprising decision to walk away from his show to make television for adults, only to return to the neighborhood with increasingly sophisticated episodes, written in collaboration with experts on childhood development. An engaging story, rich in detail, The Good Neighbor is the definitive portrait of a beloved figure, cherished by multiple generations.

A searing portrait of suburbia, friendship, and family strained by a devotion to false appearances. In an idyllic suburb, four young families quickly form a neighborhood clique, their friendships based on little more than the ages of their children and a shared sense of camaraderie. When one of the couples, Paige and Gene Edwards, adopt a four-year-old girl from Russia, the group's loyalty and morality is soon called into question. Are the Edwards unkind to their new daughter? Or is she a difficult child with hidden destructive tendencies? As the seams of the group friendship slowly unravel, neighbor Nicole Westerhof finds herself drawn further into the life of the adopted girl, forcing Nicole to re-examine the deceptive nature of her own family ties, and her complicity in the events unfolding around her.

Rue believes she is going crazy until she learns that the strange things she has been seeing are real, and that she is one of the faerie creatures that mortals cannot see.

Named by Harper's Bazaar as a book that could be the next Gone Girl. From a phenomenal new voice in suspense fiction comes a book that will forever change the way you look at the people closest to you... Shadow Cove, Washington, is the kind of town everyone dreams about--quaint streets, lush forests, good neighbors. That's what Sarah thinks as she settles into life with her new husband, Dr. Johnny McDonald. But all too soon she discovers an undercurrent of deception. And one October evening when Johnny is away, sudden tragedy destroys Sarah's happiness. Dazed and stricken with grief, she and Johnny begin to rebuild their shattered lives. As she picks up the pieces of her broken home, Sarah discovers a shocking secret that forces her to doubt everything she thought was true--about her neighbors, her friends, and even her marriage. With each stunning revelation, Sarah must ask herself, Can we ever really know the ones we love?

When Francie and Colt Hart drive past an abandoned 150-year-old farmhouse in rural Pennsylvania, they both fall head-over-heels in love with it -- but for entirely different reasons. Colt, an ambitious, hard-charging stock trader, sees it as a potential showcase for his wealth. Francie, long dependent on antidepressants, hopes it will inspire her to resume the literary life she abandoned when she married Colt ten years before; perhaps, she thinks, it will save their faltering marriage. But the more they learn about the house, and especially the tragic history of its previous occupants (whose descendants are their new neighbors), the more it threatens to drive them apart. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Izzy Lane never thought of herself as a liar. In fact, she's always played by the rules. She's an excellent mother, has loyal friends, and a rich career as a school counselor. Fresh from a new divorce, however, Izzy feels like she needs a little fun. So when, on a whim, she starts a blog it seems like a rather benign indulgence. But as her online quips begin to gain traction, Izzy makes a slip. Somehow a new boyfriend winds his way into the picture. The problem? Izzy makes him up. What, at first, feels like a harmless fib quickly spins out of control and Izzy must figure out how to balance fantasy and reality. Keeping up appearances while managing an absent ex-husband, two very nosy friends, a toddler son, and full-time job soon prove impossible, and Izzy feels utterly lost. It's only when her long-time neighbor and surrogate mother, Mrs. Feldman, re-enters her life that Izzy begins to see the mess she's made. And it's with Mrs. Feldman's guidance that Izzy learns to face reality, find comfort in new norms, and open herself up to the possibility of real love.

The moral principles prescribed for friendship, civil society, and democratic public life apply imperfectly to life around home, where we interact day to day without the formal institutions, rules of conduct, and means of enforcement that guide us in other settings. This work explores how encounters among neighbours create a democracy of everyday life, which has been with us since the beginning of American history and is expressed in settler, immigrant, and suburban narratives and in novels, poetry, and popular culture.

Once upon a time, people knew their neighbors. They talked to them, had cook-outs with them, and went to church with them. In our time of unprecedented mobility and increasing isolationism, it's hard to make lasting connections with those who live right outside our front door. We have hundreds of "friends" through online social networking, but we often don't even know the full name of the person who lives right next door. This unique and inspiring book asks the question: What is the most loving thing I can do for the people who live on my street or in my apartment building? Through compelling true stories of lives impacted, the authors show readers how to create genuine friendships with the people who live in closest proximity to them. Discussion questions at the end of each chapter make this book perfect for small groups or individual study.

A mouse decides one morning to make an omelet, but needs an egg, and sets out to find one. On his search, he eventually finds everything needed to bake a cake, including apples, flour, and sugar, but also those most precious ingredients—community and friends, from a hedgehog to an owl to a raccoon— and learns about the unexpected gifts of asking for what you need and sharing what you have.

Good neighbors invite you over for dinner, bring you baked goods to welcome you to the neighborhood, and wave hello at the mailbox. Good neighbors do not destroy your life. When Bryant and Harper Page move to Lancaster Mills, their first encounter with their new neighbors-Jason and Tori Fuller: beautiful, strange, and terrifying-is anything but a warm welcome. Despite their hesitations, the Pages are intrigued by the people they now share a street with. As their curiosity gets the best of them, they discover that there's much more to the Fullers than meets the eye. Their new neighbors have secrets, that much is obvious, but just how dangerous could they be? With two haunting shadows lingering over their house and lives, the Pages' relationship is tested in every way. What exactly makes a good neighbor? And what makes a good neighbor bad?

Winner of the 2015 Robert M. Stevenson Award from the American Musicological Society In Representing the Good Neighbor: Music, Difference, and the Pan American Dream, Carol A. Hess investigates the reception of Latin American art music in the US during the twentieth century. Hers is the first study to probe Latin American art music in relation to Pan Americanism, or the idea that the American nations are bound by common aspirations. Under the Good Neighbor policy, crafted by the administration of President Franklin D. Roosevelt to cement hemispheric solidarity amid fears of European fascism, Latin American art music flourished and US critics applauded it as "universal." During the Cold War, however, this repertory assumed a very different status. While the United States supported Latin American military dictators to assuage fears that communism would overwhelm the hemisphere, musical works were increasingly objectified through essentializing adjectives such as "exotic," distinctive," or "national"--through the filter of difference. Hess explores this phenomenon by tracking the reception in the United States of the so-called Big Three: Carlos Chávez (Mexico), Heitor Villa-Lobos (Brazil), and Alberto Ginastera (Argentina). She also evaluates several important US composers and critics-Copland, Thomson, Rosenfeld, and others-in relation to Pan Americanism, and offers a new interpretation of a work about Latin America by US composer Fredric Rzewski, 36 Variations on "The People United Will Never Be Defeated!" Whether discussing works performed in modern music concerts of the 1920s, at the 1939 World's Fair, the inauguration of the New York State Theater in 1966, or for the US Bicentennial, Hess illuminates ways in which North-South relations continue to inform our understanding of Latin American art music today. As the first book to examine in detail the critical reception of Latin American music in the United States, Representing the Good Neighbor promises to be a landmark in the field of American music studies, and will be essential reading for students and scholars of music in the US and Latin America during the twentieth-century. It will also appeal to historians studying US-Latin America relations, as well as general readers interested in the history of American music.

In The Last Good Neighbor Eric Zolov presents a revisionist account of Mexican domestic politics and international relations during the long 1960s, tracing how Mexico emerged from the shadow of FDR's Good Neighbor policy to become a geopolitical player in its own right during the Cold War. Zolov shows how President Adolfo López Mateos (1958–1964) leveraged Mexico's historical ties with the United States while harnessing the left's passionate calls for solidarity with developing nations in a bold attempt to alter the course of global politics. During this period, Mexico forged relationships with the Soviet Bloc, took positions at odds with US interests, and entered the scene of Third World internationalism. Drawing on archival research from Mexico, the United States, and Britain, Zolov gives a broad perspective on the multitudinous, transnational forces that shaped Mexican political culture in ways that challenge standard histories of the period.

The only authorized picture book biography of Mister Rogers, written and illustrated by Caldecott Medalist Matthew Cordell. How was Mister Rogers' Neighborhood created, and who was the man that started it all? This moving and informative picture book explores the history of this acclaimed television show and its inspiring creator in an accessible way for children. Mister Rogers' Neighborhood was groundbreaking in its own quiet, generous way. It introduced art, professions, food and even highlighted difficult subjects, like losing a loved one and divorce. This information was delivered both by live performers, like Fred Rogers himself and through a lively cast of puppets who lived in the land of make believe. Backmatter includes a short biography of Fred Rogers as well as exclusively published archival photos provided by Fred Rogers Productions, and an essay from the author. Available shortly after the release of the Mister Rogers' film, A Beautiful Day in the Neighborhood starring Tom Hanks, this is the perfect picture book for all who appreciate the power and beauty of Fred's mission. Thoroughly illustrated with lively and captivating drawings, by Caldecott-winning author and illustrator Matthew Cordell, Hello, Neighbor! captures the spirit of the beloved television show. A Junior Library Guild Selection!

The Good Neighbor Policy was unique: a great power obligated itself not to use force in its dealings with twenty smaller powers and not to interfere in their domestic politics. It was a policy that lasted, with some perturbations, for twenty years: instituted by President Roosevelt in 1933 and carried out effectively from 1933 to 1943 by word and action, maintained during the Second World War largely as a result of British concern for continuance of Argentine beef exports, codified in the Charter of the Organization of American States in 1948, and reasserted by Truman and Acheson in 1950–51, it was covertly repudiated in Guatemala in 1954 by Eisenhower and the Dulles brothers, and not so secretly by Kennedy in the disastrous Bay of Pigs invasion of 1961. Openly shattered in the Dominican Republic by Johnson in 1965, it has since been completely abandoned in favor of the usual relationships between large and small powers. Working with documents from the Public Records Office in London and the National Archives, with recently released materials from the U.S. Department of State, and with secondary sources, Bryce Wood describes the temptations laid before the leaders of one powerful state by its occasionally recalcitrant neighbors, and the ways of reacting that were found. Having told half the story in his The Making of the Good Neighbor Policy, Wood now concludes it in the present volume. One of the chief casualties is shown to be the Organization of American States, which since 1954 has found itself badly crippled in its work to promote harmony and continued cooperation among the member states.

No modern president has had as much influence on American national politics as Franklin D. Roosevelt. During FDR’s administration, power shifted from states and localities to the federal government; within the federal government it shifted from Congress to the president; and internationally, it moved from Europe to the United States. All of these changes required significant effort on the part of the president, who triumphed over fierce opposition and succeeded in remaking the American political system in ways that continue to shape our politics today. Using the metaphor of the good neighbor, Mary E. Stuckey examines the persuasive work that took place to authorize these changes. Through the metaphor, FDR’s administration can be better understood: his emphasis on communal values; the importance of national mobilization in domestic as well as foreign affairs in defense of those values; his use of what he considered a particularly democratic approach to public communication; his treatment of friends and his delineation of enemies; and finally, the ways in which he used this rhetoric to broaden his neighborhood from the limits of the United States to encompass the entire world, laying the groundwork for American ideological dominance in the post–World War II era.