Monument

How to Build a Monument / Paul M. Farber -- Memorializing Philadelphia as a Place of Crisis and Boundless Hope / Ken Lum -- Public Practice / Jane Golden -- Tania Bruguera, Monument to New Immigrants -- Mel Chin, Two Me -- Kara Crombie, Sample Philly -- The Art of the Proposal: Reading the Monument Lab Open Data Set / Laurie Allen.

The Colorado River Plateau is home to two of the best-known landscapes in the world: Rainbow Bridge in southern Utah and Monument Valley on the Utah-Arizona border. Twentieth-century popular culture made these places icons of the American West, and advertising continues to exploit their significance today. In Rainbow Bridge to Monument Valley, Thomas J. Harvey artfully tells how Navajos and Anglo-Americans created fabrics of meaning out of this stunning desert landscape, space that western novelist Zane Grey called “the storehouse of unlived years,” where a rugged, more authentic life beckoned. Harvey explores the different ways in which the two societies imbued the landscape with deep cultural significance. Navajos long ago incorporated Rainbow Bridge into the complex origin story that embodies their religion and worldview. In the early 1900s, archaeologists crossed paths with Grey in the Rainbow Bridge area. Grey, credited with making the modern western novel popular, sought freedom from the contemporary world and reimagined the landscape for his own purposes. In the process, Harvey shows, Grey erased most of the Navajo inhabitants. This view of the landscape culminated in filmmaker John Ford’s use of Monument Valley as the setting for his epic mid-twentieth-century Westerns. Harvey extends the story into the late twentieth century when environmentalists sought to set aside Rainbow Bridge as a symbolic remnant of nature untainted by modernization. Tourists continue to flock to Monument Valley and Rainbow Bridge, as they have for a century, but the landscapes are most familiar today because of their appearances in advertising. Monument Valley has been used to sell perfume, beer, and sport utility vehicles. Encompassing the history of the Navajo, archaeology, literature, film, environmentalism, and tourism, Rainbow Bridge to Monument Valley explores how these rock formations, Navajo sacred spaces still, have become embedded in the modern identity of the American West—and of the nation itself.

The Edible Monument considers the elaborate architecture, sculpture, and floats made of food that were designed for court and civic celebrations in early modern Europe. These include popular festivals such as Carnival and the Italian Cuccagna. Like illuminations and fireworks, ephemeral artworks made of food were not well documented and were challenging to describe because they were perishable and thus quickly consumed or destroyed. In times before photography and cookbooks, there were neither literary models nor a repertoire of conventional images for how food and its preparation should be explained or depicted. Although made for consumption, food could also be a work of art, both as a special attraction and as an expression of power. Formal occasions and spontaneous celebrations drew communities together, while special foods and seasonal menus revived ancient legends, evoking memories and recalling shared histories, values, and tastes. Drawing on books, prints, and scrolls that document festival arts, elaborate banquets, and street feasts, the essays in this volume examine the mythic themes and personas employed to honor and celebrate rulers; the methods, materials, and wares used to prepare, depict, and serve food; and how foods such as sugar were transformed to express political goals or accomplishments. This book is published on the occasion of an exhibition at the Getty Research Institute from October 13, 2015, to March 23, 2016.

DigiCat Publishing presents to you this special edition of "History of the Washington National Monument and of the Washington National Monument Society" by Frederick L. Harvey. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Reproduction of the original: History of the Washington National Monument by Frederick L. Harvey

Whether you live in the Southwest or plan to take a vacation here, you are amazed at the beauty of the parks and monuments in the area. No one takes them for granted. 32 locales await you. And if you're heading to Arizona, be sure to grab that book, too!

In this groundbreaking book, Claudia Agostoni examines modernization in Mexico City during the era of Porfirio Díaz. She outlines the relationship of "enlightened" ideals of orderliness and hygiene to Mexican initiatives in public health. The implementation of new health policies and programs - such as the construction of a drainage system for the Valley of Mexico - were of utmost importance for the symbolic legitimization of Porfirio Díaz's durable regime (1876-1910), which emphasized modernization over individual rights and liberties. Thus, projects involving drastic engineering measures, authoritarian sanitary administration, and urban improvements were paramount in transforming the city into a healthy environment. Providing detailed analyses of the objectives and activities of the Superior Sanitation Council and, in particular, the work of the sanitary inspectors, Monuments of Progress provides a fresh take on the history of medicine and public health, shifting the emphasis away from the history of epidemic disease and the heroes of medicine to public health in a broader social framework. Agostoni's unique study builds on a small but fast-growing body of literature on the history of public health in Latin America, and it will appeal to scholars with an interest in medical history, urban history, and the history of nineteenth-century Mexico. Born in Mexico City, Claudia Agostoni earned her Ph.D. in Latin American cultural studies from King's College London, University of London. She is currently a full-time researcher at the Instituto de Investigaciones Históricas at Universidad Nacional Autónoma de México and lectures in Latin American colonial history.