Memento Mori

From the team that brought you The Obstacle Is the Way and Ego Is the Enemy, a daily devotional of Stoic meditations—an instant Wall Street Journal and USA Today Bestseller. Why have history's greatest minds—from George Washington to Frederick the Great to Ralph Waldo Emerson, along with today's top performers from Super Bowl-winning football coaches to CEOs and celebrities—embraced the wisdom of the ancient Stoics? Because they realize that the most valuable wisdom is timeless and that philosophy is for living a better life, not a classroom exercise. The Daily Stoic offers 366 days of Stoic insights and exercises, featuring all-new translations from the Emperor Marcus Aurelius, the playwright Seneca, or slave-turned-philosopher Epictetus, as well as lesser-known luminaries like Zeno, Cleanthes, and Musonius Rufus. Every day of the year you'll find one of their pithy, powerful quotations, as well as historical anecdotes, provocative commentary, and a helpful glossary of Greek terms. By following these teachings over the course of a year (and, indeed, for years to come) you'll find the serenity, self-knowledge, and resilience you need to live well.

During Advent we prayerfully consider how Jesus was born to save us from death through his incarnation, death, and resurrection. Remembering this in light of your own death can change your life. Mememto mori or "remember your death" is a phrase long associated with the practice of remembering the unpredictable and inevitable end of one's life. This book is the latest in a series of books by Sr. Theresa Alethia Noble, FSP, that explores the traditional Christian practice of meditation on death in light of Christ. This book will help you to connsider the four Last Things: death, judgment, hell, and heaven in the context of Advent. -- Adapted from back cover

When Theresa Aletheia Noble, FSP, began keeping a ceramic skull on her desk and tweeting about it, she had no idea she'd be starting a movement. Her daily tweets about memento mori - Latin for remember your death - contained quotes and insights that have inspired others to remember death daily. Many have found this ancient practice to provide an important perspective on their lives in view of Jesus' call to repentance, conversion, and the hope of resurrection. And now Sr. Theresa Aletheia's series of tweets has led to a memento mori-inspired Lenten devotional. Each day contains a refection written by Sr. Theresa Aletheia based on the liturgy of the day for all of Lent, Holy Week, and Easter. The devotional also includes a memento mori examen or review of the day, a daily moment of intercessory prayer, and daily reflections on death from the tradition, including the Church Fathers and many of the saints. Prompts are provided for journaling that can be used along with the Remember Your Death: Memento Mori Journal, also available from Pauline Books. Lent is a time when we remember the death of Christ and the sacrifice he made to give us eternal life. This devotional will help you to meditate on your own mortality and the incredible gift of salvation in preparation for Easter. Whether you get a skull for your desk, a memento mori journal, or a Lenten devotional, it is vitally important to the Christian life to remember the fragility of your life on earth - because one day you will die.

Poignant, hilarious, and spooky, Memento Mori addresses old age In late 1950s London, something uncanny besets a group of elderly friends: an insinuating voice on the telephone reminds each: Remember you must die. Their geriatric feathers are soon thoroughly ruffled, and many an old unsavory secret is dusted off.

The astonishing story of how the dead live on in memorials and traditions across the globe, from Ethiopia and Nepal to Cambodia and Rwanda, told through arresting images and captivating narration Death is universal, but the human response to death varies widely. In Western society, death is usually medicalized and taboo, and kept apart from the world of the living, while in much of the rest of the world, and for much of human history, death has commonly been far more integrated into peoples’ daily existence, and human remains are as much a reminder of life, memento vitae, as of death, memento mori. Through photos taken at more than 250 sites in thirty countries over a decade, Paul Koudounaris has captured death around the world. From Bolivia’s “festival of the little pug-nosed ones,” where skulls are festooned with flowers and given cigarettes to smoke and beanie hats to protect them from the weather to Indonesian families who dress mummies and include them in their household routines; from naturally preserved Buddhist monks and memorials to genocide in Rwanda and Cambodia to the dramatic climax of Europe’s great ossuaries, Memento Mori defies taboo to demonstrate how the dead continue to be present in the lives of people everywhere.

Memento mori--Latin for "remember you will die"--refers to the practice of meditation on one's inevitable death. Encouraged by Scripture and the saints, this ancient tradition can help you to manage the chaos of this world, grow closer to God, and focus on heaven. Sr. Theresa Aletheia Noble, FSP is a religious sister at the forefront of the movement to revive this practice in the Church. She has written several resources to help people to incorporate memento mori into their daily lives. Her Memento Mori: A Lenten Devotional and the Memento Mori Journal have touched thousands of lives. Now she has compiled and written a beautiful prayer book to help people to meditate on death and the afterlife, traditionally called "the Last Things," in order to prepare for heaven. Meditation on the Last Things--death, judgment, hell, and heaven--is not a dark and depressing practice. Rather, the practice is hopeful and lifechanging. It helps people to take stock of their lives, grow closer to God, and to live with renewed purpose and fervor. May this practice open your heart to the work God wants to do in you and through you before your last day on earth, whenever that day might be. May God find us prepared!

In this revealing and entertaining guide to how the Romans confronted their own mortality, Peter Jones shows us that all the problems associated with old age and death that so transfix us today were already dealt with by our ancient ancestors two thousand years ago.Romans inhabited a world where man, knowing nothing about hygiene let alone disease, had no defences against nature. Death was everywhere. Half of all Roman children were dead by the age of five. Only eight per cent of the population made it over sixty. One bizarre result was that half the population consisted of teenagers. From the elites' philosophical take on the brevity of life to the epitaphs left by butchers, bakers and buffoons, Memento Mori ('Remember you die') shows how the Romans faced up to this world and attempted to take the sting out of death.

A collection of poems and prose based off of love and fear. Memento Mori details a series of events whether it be good or bad. This book is not for the faint of heart as it includes some poems that are tough reads yet real as can be.

Collects Gamora #1-5. From screenwriter Nicole Perlman - co-writer of the Guardians of the Galaxy screenplay - and Marvel superstar artist Marco Checchetto, comes a killer new ongoing series! Once upon a time, Gamora was Thanos' heartless pet assassin and favorite adopted daughter. Today, she is the backbone of the Guardians of the Galaxy, putting her life on the line to defend the innocent throughout the universe. What was it that transformed her from being used as a tool of her oppressor, to a champion of the powerless? Embark on a journey of revenge and redemption, and witness how Gamora earned her reputation as the Deadliest Woman in the Galaxy.

Amicus Arcane is about to retire from his position as the ghost librarian of the Haunted Mansion. But before he does so, Amicus wants to find the scariest story of all, so he invites ghost writers from all over the world to the Haunted Mansion to tell their tales. As he hears these frightening fictions, Amicus will soon realize that the scariest story of all is--well, that would be telling, wouldn't it? Return with us, foolish mortals, if you dare to the Haunted Mansion for the most terrifying Tales from the Haunted Mansion of all-- Volume IV: Memento Mori.

If you're looking for inspiration, escape, or just poetic entertainment, you've come to the right place. Memento Mori's poems are honest, simple and beautifully crafted. Their honesty gives them force, and their simplicity makes them accessible. There is no wondering, no confusion, no searching for a message. Some poems will thrill you as you read them, others will work slowly into your heart, and still others will call you back time and time again to revisit them. Memento Mori offers something for everybody. The newcomer will find they "get" these poems without having to struggle, while the veteran will enjoy discovering the secret treasures hidden within them. In a time when poetry seems to be more about what is not said than what is, Memento Mori gets back to the basics by combining the delicate beauty of poetry with the fine art of storytelling. Memento Mori: in Latin it means "remember your mortality." Life is short-it's time to read and feel the poetry.

Everett Larkin works for the Cold Case Squad: an elite—if understaffed and overworked—group of detectives who solve the forgotten deaths of New York City. Larkin is different from others, but his deduction skills are unmatched and his memory for minute details is unparalleled. So when a spring thunderstorm uproots a tree in Madison Square Park, unearthing a crate with human remains inside, the best Cold Case detective is assigned the job. And when a death mask, like those prominent during the Victorian era, is found with the body, Larkin requests assistance from the Forensic Artists Unit and receives it in the form of Detective Ira Doyle, his polar opposite in every way. Factual reasoning and facial reconstruction puts Larkin and Doyle on a trail of old homicide cases and a murderer obsessed with casting his victims’ likeness in death. Include some unapologetic flirting from Doyle, and this case just may end up killing Everett Larkin.

Remember you must die. Dame Lettie Colston is the first of her circle to receive insinuating anonymous phone calls. Neither she, nor her friends, wish to be reminded of their mortality, and their geriatric feathers are thoroughly ruffled. As the caller's activities become more widespread, old secrets are dusted off, exposing post and present duplicities, self-deception and blackmail. Nobody is above suspicion. Witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more. Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

"Mememto mori is a unique feast of offerings exploring a variety of magickal and mythological perspectives on death, dying, mortality and beyond. With contributions from sixteen international writers, this compilation gathered together by editor Kim Huggens, offers a marvellous diversity of both historical and contemporary, as well as experiential and scholarly, essays."-- p. [4] of cover.

The eighth gripping novel in the bestselling Medicus series, in which Ruso and Tilla investigate the death of the wife of Ruso's friend in the sacred hot spring of Aquae Sulis. A scandal is threatening to engulf the popular spa town of Aquae Sulis (modern-day Bath). The wife of Ruso's best friend, Valens, has been found dead in the sacred hot spring, stabbed through the heart. Fearing the wrath of the goddess and the ruin of the tourist trade, the temple officials are keen to cover up what's happened. But the dead woman's father is demanding justice, and he's accusing Valens of murder. If Valens turns up to face trial, he will risk execution. If he doesn't, he'll lose his children. Ruso and Tilla do their best to help but it's difficult to get anyone--even Valens himself--to reveal what really happened. Could Ruso's friend really be guilty as charged?

In Death in Documentaries: The Memento Mori Experience, Benjamin Bennett-Carpenter suggests that documentaries are an especially apt form of contemporary memento mori; that is, documentaries offer transformative experiences for a viewer to renew one’s consciousness of mortality.

Memento Mori is a follow-up to the author's previous book, Dies Irae, and is devoted to the modern settings of memorial music. Included is a wide variety of music from various religious and secular music traditions.

"In her first book, Emily DeArdo draws on the medieval Christian practice of memento mori (reflecting on mortality) and shares her personal story with unique and compelling insight into the meaning of Christian life and death. Using the Stations of the Cross to frame her explorations, DeArdo leads her readers to trust in God's providence as they confront suffering and death, and develop enduring spiritual strength and courage along the way"--

This book explores how four contemporary artists—Francis Bacon, Joseph Beuys, Robert Gober, and Damien Hirst—pursue the question of death through their fraught appropriations of Christian imagery. Each artist is shown to not only pose provocative theological questions, but also to question the abilities of theological speech to adequately address current attitudes to death. When set within a broader theological context around the thought of death, Bacon’s works invite fresh readings of the New Testament’s narration of the betrayal of Christ, and Beuys’ works can be appreciated for the ways they evoke Resurrection to envision possible futures for Germany in the aftermath of war. Gober’s immaculate sculptures and installations serve to create alternative religious environments, and these places are both evocative of his Roman Catholic upbringing and virtually haunted by the ghosts of his excommunication from that past. Lastly and perhaps most problematically, Hirst has built his brand as an artist from making jokes about death. By opening fresh arenas of dialogue and meaning-making in our society and culture today, the rich humanity of these artworks promises both renewed depths of meaning regarding our exit from this world as well as how we might live well within it for the time that we have. As such, it will be a vital resource for all scholars in Theology, the Visual Arts, Material Religion and Religious Studies.